{"id":2015,"date":"2020-12-23T16:38:15","date_gmt":"2020-12-23T15:38:15","guid":{"rendered":"https:\/\/gruebelbach.de\/?p=2015"},"modified":"2022-06-02T21:47:19","modified_gmt":"2022-06-02T19:47:19","slug":"gruebelsound-veroeffentlicht-statistik-zu-socials-soziale-medien","status":"publish","type":"post","link":"https:\/\/gruebelbach.de\/en\/gruebelsound-veroeffentlicht-statistik-zu-socials-soziale-medien\/","title":{"rendered":"\ud83c\udfb5 Gr\u00fcbelSound publishs \ud83d\udcca #statistics about #socials | \ud83d\udd17 #socialmedia"},"content":{"rendered":"\n

\"\"Normally, what applies to all modern corporations of this type applies to \ud83c\udfb5 Gr\u00fcbelSound: strict secrecy is essential. But sometimes you have to get out with it. So in a Corona-battered December 2020, it’s the likeable young traditional label that presents its statistics in an \ud83d\udcbb online conference.<\/p>\n\n\n\n

\"gruebelmem036<\/figure>\n\n\n\n

The evaluation in a \ud83d\udcca diagram throws a spotlight on the current situation in the \ud83d\udd17 social networks. Konrad GR\u00dcBELBACH and his label Gr\u00fcbelSound are not exactly unaffected.<\/p>\n\n\n\n

The driving force is clearly \ud83d\udfe0 Instagram with a good 400 subscribers. As if \ud83c\udccf magically, the values of the other two major platforms have rounded off at the same time: \ud83d\udc24 Twitter to 300, \ud83d\udd35 Facebook to 100.<\/p>\n\n\n\n

It is known that \ud83d\udfe0 Instagram is growing and users are very active. There are very many, not least from the music sector, who present their own creative projects. \ud83d\udc24 Twitter is weaker in Germany than in other countries – wrongly so, if you’re interested in the possibilities. Where else are there such chances to be found directly under #hashtags, per click even without sorting by algorithms according to news?<\/p>\n\n\n\n

\ud83d\udd35 Facebook scores with \ud83d\udcac thematic groups, in which \ud83c\udfad music and satire videos for \ud83c\udfb8 GR\u00dcBELBACH could be reached the most so far. \ud83c\udf9e\ud83d\udfe5 YouTube, on the other hand, seems hopelessly overcrowded and can only be proven at all for Gr\u00fcbelSound with complicated computational methods. In addition, Facebook subscribers are on average not as animated to follow compared to the bandwagon horse Instagram – either due to a lack of interest or also influenced by the fact that the \ud83d\udd32 interface is somewhat more sober and the subscribe button is two clicks away, while on Instagram it is provided with the legible \u2611\ufe0f appeal “Subscribe” after just one click. The Facebook \ud83d\udc4d Like is known to be a \u2665\ufe0f heart on Instagram – more intuitive, ‘one’ would probably say.<\/p>\n\n\n\n

Konrad GR\u00dcBELBACH, as \ud83d\udcc0 label head also his own boss, thanked an unknown crowd of \ud83d\udcf0\ud83d\udcfa\ud83d\udcfb journalists in the tele-conference, which could now become a regular habit in the \ud83d\uddd3 diary of the stressed \ud83d\udcbb\ud83c\udf0e metropolis Internet. Gr\u00fcbelbach of the further:<\/p>\n\n\n\n

My thanks go first and foremost to the numerous participants in the \ud83d\udd17 social networks, who could convince themselves of \ud83c\udfb5 Gr\u00fcbelSound productions. We take this as an opportunity to work even harder in the future for unhinged to abysmal entertainment.<\/p>\n\n\n\n

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