Dieses Stück von Field Kit, “Motorized Piano (NR08-02)”, entlockt den Klaviersaiten ungewohnte Töne. Hier interessant auch der strukturalistische Ansatz mit Bildfragmenten, eine formalistische Etüde.
#Musicvideo: INTERNATIONAL COMMERCIAL SUCCESS 🎸 🍔 | 🎬 #foundfootage #gruebelvideo
Single, die nächste: Mit INTERNATIONAL COMMERCIAL SUCCESS breche ich in den englischen Sprachraum durch. Ein Mix aus Sprechgesang und Rock mit E-Gitarre wird im Musikvideo begleitet von einer experimentellen Montage aus Found Footage und eingeblendetem Geheimcode. Die Zeitreise führt mich zu Begegnungen mit Humphrey Bogart und dem vergessenen Cartoon-Star Bosko.
https://youtu.be/a_q12hqcqU8
Hier wird also das Schielen auf den internationalen Markt Programm. Das komplette Album BROTESTSONGS gibt es auf allen großen Plattformen – als Gratis-Stream oder Download (hier zum linktree oder die schnelle Übersicht bei Songwhip).
Brotest vs. dense of reality by Udo #Pollmer | 💣 🥨 #forecast #disaster #hunger
The BROTESTSONGS are timeless realization forms of bread test. The current dimension of the bread question, on the other hand, comes to us very seriously and should also not be concealed here. It might take some time until it could become poetry.
Konrad GRÜBELBACH accused of depoliticization ♚ | #music #comedy #satire
I am usually seen as the main culprit of a far-reaching depoliticization of public life. With the Album BROTESTSONGS album, the hour has now come when I can no longer evade the pressing questions and am obviously to be drawn.
#Musicvideo: #ADORNO UND DIE FRANKFURTER SCHUHE 👟👟 | 🎬 #philosophy #satire #gruebelvideo
ADORNO UND DIE FRANKFURTER SCHUHE (ADORNO AND THE FRANKFURTER SHOES) startled me into another music video from the round of BROTESTSONGS. The dialogue with the pope of theory Thedor Wiesengrund Adorno can also be continued on the visual level, since two literal quotes in the song come as sound documents from filmed interviews.
This leads to presumptions, which are easy to make posthumously. I don’t want to unravel this further here – it should actually be a found food for all those who are addressed by Adorno with his rather harsh rejection of modern pop music in the broad sense. It is, however, quite a nice practical example of the relationship between theory and practice.